Akira Ito - Marine Flowers LP

Label: Glossy Mistakes

Glossy Mistakes present a reissue of Akira Ito's Marine Flowers, originally released in 1986. Some artists have gained huge recognition, some records have been idealized to the point of becoming cult albums... and that's exactly the case of Marine Flowers, by Japanese multi-artist Akira Ito. Akira's musical interests changed throughout his life experiences and travels, up to the point when he knew exactly what he wanted to do (without knowing how to do it): healing music. Akira understood that once he set up shop at Hitokuchizaka Studios in Tokyo the work of translating these ideas began in earnest. First, he started his own record label, dubbing it "Green & Water" to promote a series of releases that would strike a more organic tone, envisioning a series of Japanese Environmental Music records. Marine Flowers would be one of four self-penned albums on the label dedicated to esoteric symbolism like Hopi Prophecies (1986), Prayers (1986), and Four Corners Of Water (1986).

Flanked by more than a phalanx of analog and digital synthesizers from Roland, Korg, and Moog, Akira would dedicate this release to those waters of Palau. Here he would largely improvise on scratch ideas he had in mind, creating a musical base for tracks like "W·A·T·E·R," "Dancing Spirits," and "Life Goes On" that he'd let invited friends and gifted musicians, like violinist Takashi Toyoda, the late Japanese drum giant Shuichi "Ponta" Murakami, and others contribute their own ideas afterward. Hearing the music now, it's not hard to understand just what Akira stumbled into. Marine Flowers (Science Fantasy) is of a new lineage of "ambient" artists like Hiroshi Yoshimura, Satoshi Sumitani, and others who took academia out of all these therapeutic ideas married to scientific theories, making them into something a bit more universal, malleable, and palpable. This Music For Inochi or "music for life", treated us to gorgeous, floating music like album opener "Prologue, Into the Beauty" where Akira's droning, aquatic-sounding electronics open up to the ebb and flow of percolating electroacoustic sonics that flow into the aforementioned "W·A·T·E·R." Rich and organic, a violin melody from Takashi Toyoda feels like an aural lily pad bobbing along to all these gentle sonorities. Gentle piano melodies cycle in and out of songs like "Dancing Spirits" evoking classic ambient discreet music from the likes of Brian Eno. Others like "Essence Of Beauty" have gossamer parallels in the works of Harmonia. Liner notes by Diego Olivas (Fond/Sond), from an interview with the artist coordinated by Ken Hidaka.